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Exile on Main Street Audio CD (26 July, 1994) list price: $17.98 -- our price: $9.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review From the swaggering frustration in the first song ("I only get my rocks off while I'm sleeping," Mick Jagger sings in the hyper "Rocks Off"), the Stones speed through familiar neighborhoods of country, blues, and R&B on Exile. They never even bother to stop when they've crashed into something. They don't leap into new worlds so much as master the old ones, turning Slim Harpo's blues obscurity "Hip Shake" into a harp-and-piano steamroller and setting spines a-cracking in "Ventilator Blues." Both "Tumbling Dice" and Keith Richards's "Happy" have become hits, but the 1972 album is most notable for its overall murky adrenaline. --Steve Knopper ... Read more Asin: B000000W5L |
$9.99 |
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Electric Ladyland Audio CD (22 April, 1997) list price: $13.98 -- our price: $9.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review Bursting with ideas and energy, Jimi Hendrix's second album release of 1968 (following Axis: Bold as Love) was a double-LP set that showcased virtually everything the guitar genius had to offer: blistering blues ("Voodoo Chile"), galaxy-patrolling space jams ("1983... A Merman I Should Turn to Be"), psychedelic soul ("Crosstown Traffic"), and skyscraping rock ("Voodoo Child (Slight Return)"). In the midst of all this was even a hit song--Hendrix's remarkable reading of Bob Dylan's "All Along the Watchtower," featuring a series of baton-passing guitar solos, all distinct and brilliant. Seemingly diffuse when first released; in hindsight, kaleidoscopically eclectic. --Billy Altman ... Read more Asin: B000002P5U |
$9.99 |
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The Velvet Underground & Nico Audio CD (07 May, 1996) list price: $9.98 -- our price: $7.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review When the Velvets recorded this debut, they were best known as the protégés of Andy Warhol (who designed the sleeve), and as a grating, combustive live band. Fueled by drummer Moe Tucker's no-nonsense wham and John Cale's howling viola, some of the straight-up rock & roll and arty noise extravaganzas here bear that out. But before Lou Reed was singing about sadomasochism and drug deals and writing lyrics inspired by his favorite poets, he was a pop songwriter, and this album has some of his prettiest tunes, mostly sung by Nico, the German dark angel who left the band after this disc. Even the sordid rockers are underscored by graceful pop tricks, like the two-chord flutter at the center of the classic "Heroin." --Douglas Wolk ... Read more Features Asin: B000002G7C |
$7.99 |
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Loaded Audio CD (25 October, 1990) list price: $11.98 -- our price: $10.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review While John Cale certainly gave the first couple of Velvet Underground albums a signature sound, his departure enabled Lou Reed to do exactly what he does best: write kick-ass, stripped-down rock songs. On Loaded his talent comes to full fruition. Who can imagine a world without "Sweet Jane" and "Rock & Roll," arguably two of the greatest rock tunes ever penned? The brilliance of those songs is so bright, it's easy to overlook a couple of other Reed masterpieces: the tender, epic discourse of "New Age" (which highlights his assured sense of poetic wordplay: "And when you kissed Robert Mitchum / Gee, but I thought you'd never catch him!") and the extended sweet blues romp of "Oh! Sweet Nuthin'." On Loaded the Velvet Underground--who before had hit the sonic ceiling experimenting with shattered chords, feedback, screeching violas, and what Reed once claimed was "the fastest guitar playing ever"--eschew the dark side of noise for clarity. Check out the ringing chime that begins "Who Loves the Sun" and the sterling (no pun intended) guitar riff that drives "Rock & Roll." This is not to say that the old ragged punch of the original Velvets is completely gone. Moe Tucker still beats a mean set of skins; there's no stopping Sterling Morrison's train-wreck rhythm guitar on "Train Round the Bend"; and "Head Held High" achieves near-"Sister Ray" moments of madness. --Tod Nelson ... Read more Asin: B000002LVB |
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Rolling Stone Magazine list price: $103.70 -- our price: $12.97 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review Founder and publisher Jann S. Wenner's brainchild remains the standard by which rock & roll magazines are measured, though even its most fervent boosters would concede there've been some growing pains for RS as it's strived to remain relevant through the decades. The erstwhile baby-boomer bible mixes fleshy covers of today's alluring celebs with coverage of graying rockers from the magazine's heyday. In addition to celebrity interviews, stalwart features such as CD reviews and Random Notes (the mag's long-running gossip section) provide familiar reading for older readers, as does the publication's superior political and cultural coverage. But the bulk of Rolling Stone's features are aimed at the younger pop-culture set. --Steven Stolder ... Read more Features Asin: B00005N7SJ |
$12.97 |
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The Doors (Special Edition) Director: Oliver Stone DVD (18 March, 2003) list price: $14.98 -- our price: $13.48 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review Thanks in large part to its meticulous re-creation of the late 1960s and early '70s rock scene and the uncannily authentic performance by Val Kilmer as legendary Doors front man Jim Morrison, Oliver Stone's hypnotic film biography is standing the test of time. Capturing the carefree mood of the Age of Aquarius, the film charts the meteoric rise of the Doors on the California club circuit (including a memorable scene showing the creation of the hit "Light My Fire"), and chronicles the band's exploits with hallucinogenics and Morrison's battles against charges of public indecency on stage. Kilmer's performance is hauntingly perfect, and performances by Meg Ryan, Kathleen Quinlan, and Kyle MacLachlan are similarly impressive. The movie doesn't fully probe the depths of Morrison's character, but as a portrait of excess it is vividly true to the spirit of the self-destructive poet known to his fans as "The Lizard King." --Jeff Shannon ... Read more Features Asin: B00005NB8K |
$13.48 |
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Dark Side of the Moon Audio CD (25 October, 1990) list price: $18.98 -- our price: $13.49 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review Dark Side of the Moon, originally released in 1973, is one of those albums that is discovered anew by each generation of rock listeners. This complex, often psychedelic music works very well because Pink Floyd doesn't rush anything; the songs are mainly slow to mid-tempo, with attention paid throughout to musical texture and mood. The sound effects on songs like "On the Run," "Time" and especially "Money" (with sampled sounds of clinking coins and cash registers turned into rhythmic accompaniment) are impressive, especially when we remember that 1973 was before the advent of digital recording techniques. This is probably Pink Floyd's best-known work, and it's an excellent place to start if you're new to the band. --Genevieve Williams ... Read more Asin: B000002U82 |
$13.49 |
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Let It Be... Naked Audio CD (18 November, 2003) list price: $18.98 -- our price: $14.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review Re-recorded, remixed, overdubbed and repackaged--all before its 1970 American release, mind you--Let It Be has long been the most second-guessed album in the Beatles otherwise sterling catalog. This curious, three-decade-late, stripped-down rethink offers up yet another spin on what started as a back-to-the-roots album/documentary project called Get Back in January, 1969, but ended up as the band's de facto swan song 18 months later. Paul McCartney in particular has long been irked by producer Phil Spector's grandiose orchestra and choir overdubs to the title track and "The Long and Winding Road," and indeed the "bare" versions here have a distinct, plaintive charm lacking in Spector's typical pomp. All the various snippets of studio and live chatter that seasoned the original have been removed, leaving the recordings to be judged on their essentially live-in-the-studio merits. If the intent was to "de-Spectorize" the album, the inclusion of John Lennon's 1968 benefit track "Across the Universe" and George Harrison's "I Me Mine" (which marked the last-ever Beatles session in January, 1970) in their original versions seems equally odd, the legendary producer having appended them to the album's original track listing in the first place. The rambling "bonus disc" of conversation and song snippets culled from hundreds of hours of session and film tapes may fascinate diehard fans, but it also underscores the murky, often unfocused state of affairs the Fabs found themselves in during the last year of their remarkable career. --Jerry McCulley ... Read more Asin: B0000DJZA5 |
$14.99 |
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