From the swaggering frustration in the first song ("I only get my rocks off while I'm sleeping," Mick Jagger sings in the hyper "Rocks Off"), the Stones speed through familiar neighborhoods of country, blues, and R&B on Exile. They never even bother to stop when they've crashed into something. They don't leap into new worlds so much as master the old ones, turning Slim Harpo's blues obscurity "Hip Shake" into a harp-and-piano steamroller and setting spines a-cracking in "Ventilator Blues." Both "Tumbling Dice" and Keith Richards's "Happy" have become hits, but the 1972 album is most notable for its overall murky adrenaline. --Steve Knopper ... Read more

Asin: B000000W5L
Subjects:  1. Pop    2. Rock   

Bursting with ideas and energy, Jimi Hendrix's second album release of 1968 (following Axis: Bold as Love) was a double-LP set that showcased virtually everything the guitar genius had to offer: blistering blues ("Voodoo Chile"), galaxy-patrolling space jams ("1983... A Merman I Should Turn to Be"), psychedelic soul ("Crosstown Traffic"), and skyscraping rock ("Voodoo Child (Slight Return)"). In the midst of all this was even a hit song--Hendrix's remarkable reading of Bob Dylan's "All Along the Watchtower," featuring a series of baton-passing guitar solos, all distinct and brilliant. Seemingly diffuse when first released; in hindsight, kaleidoscopically eclectic. --Billy Altman ... Read more

Asin: B000002P5U
Subjects:  1. Pop    2. Rock   

Sloppy in conception, and even sometimes in the playing, Let It Be often gets a bad rap. Unfairly, as it's often as charming, well written, and (oh yeah) rocking as the Beatles' "better" albums; it's also more outright fun than Abbey Road, the masterpiece it followed into the stores. With Lennon and McCartney working together on the perfect "I've Got a Feeling," "Two of Us," and "Dig a Pony," it's hard to believe these guys were about to implode. --Rickey Wright ... Read more

Asin: B000002UB6
Subjects:  1. Pop    2. Rock   

On their first releases, even amid all the smirking irreverence, the Replacements seemed to have more ambition than other post-punkers, but it wasn't until Let It Be that they actually realized it. There's still plenty of smirking here--"Seen Your Video" is a great snotty taunt--but there's also smartly-crafted pop like "I Will Dare" and not-quite-love songs like "Answering Machine," not to mention a rocking cover of uncool Kiss that's played perfectly straight. This is classic, all-over-the-board indie rock, especially the angst-ridden empathy of "Sixteen Blue," where Paul Westerberg, all of 23, remembers just how it is to be a teenager.--David Cantwell ... Read more

Features

• Original recording remastered

Asin: B00006FR75
Subjects:  1. Pop    2. Rock   

A mix of old favorites and buried treasures makes this edition of Who's Next a definite must. One of the defining albums of 70s hard rock from one of the 60s most successful bands, the original album includes some of The Who's best-known work, such as the anthemic "Baba O'Riley" and "Won't Get Fooled Again", the by turns sorrowful and angry "Behind Blue Eyes", and perennial favorite "My Wife". The new tracks on this album are equally worth hearing, including "Pure and Easy" (an alternate edition of which is available on Odds & Sods) and the original version of "Behind Blue Eyes". A hard rock classic, Who's Next is required listening for rock fans of all ages. --Genevieve Williams ... Read more

Features

• Original recording remastered
• Extra tracks

Asin: B000002OX7
Subjects:  1. Pop    2. Rock   

If Nevermind's sound is familiar now, it's only because thousands of rock records that followed itwere trying very hard to cop its style. It tears out of the speakers like a cannonball, from the punk-turbo-charged riff of "Smells Like Teen Spirit" onward, magnifying and distilling the wounded rage of 15 years of the rock underground into a single impassioned roar. Few albums have occupied the cultural consciousness like this one; of its 12 songs, roughly 10 are now standards. The record's historical weight can make it hard to hear now with fresh ears, but the monumental urgency of Kurt Cobain's screams is still shocking. --Douglas Wolk ... Read more

Asin: B000003TA4
Subjects:  1. Pop    2. Rock   

With valuable assistance from producer Rick Rubin, the Peppers find just the right blend of punk, funk, and hip-hop. Even with a running time of 74 minutes, this 1991 breakthrough has continuity and cohesion both within and across the 17 cuts. Riding Flea's surging bass, Anthony Kiedis delivers his explicit lyrics with a rapper's flair, extolling the virtues (and outlining the dangers) of sex and drugs. Plaintive ballads such as "Breaking the Girl," "I Could Have Lied," and the hit "Under the Bridge" give the album depth and provide contrast to the raw energy of "Mellowship Slinky in B Major," "Funky Monks," and "Give It Away." Rubin masterfully fuses John Frusciante's raunchy guitar with the irresistible grooves. --Marc Greilsamer ... Read more

Features

• Explicit Lyrics

Asin: B000002LQR
Subjects:  1. Alternative Pop/Rock    2. Alternative/Indie-Rock    3. Bass    4. Funk Metal    5. Pop    6. Rock   

Bursting at the seams with creative energy, the Clash's stunning 1979 double album more than made up for the artistic and commercial disappointment of its predecessor, 1978's tried-too-hard Give 'Em Enough Rope. With ex-Mott the Hoople producer Guy Stevens harnessing their sound as never before, the band yielded what proved to be the best work of their career. Bouncing from hard rock (the apocalyptic vision of the title track) to rockabilly ("Brand New Cadillac") to reggae ("Rudy Can't Fail") topop (the Top 40 hit "Train in Vain"), the Clash knocked down all musical walls and, in the process, ended the argument over punk's viability in the U.S. --Billy Altman ... Read more

Features

• Original recording remastered

Asin: B00004BZ0N
Subjects:  1. Britain    2. British Punk    3. England    4. Hard Rock    5. New Wave    6. Pop    7. Punk    8. Punk/New Wave    9. Rock    10. Rock & Roll   

Dark Side of the Moon, originally released in 1973, is one of those albums that is discovered anew by each generation of rock listeners. This complex, often psychedelic music works very well because Pink Floyd doesn't rush anything; the songs are mainly slow to mid-tempo, with attention paid throughout to musical texture and mood. The sound effects on songs like "On the Run," "Time" and especially "Money" (with sampled sounds of clinking coins and cash registers turned into rhythmic accompaniment) are impressive, especially when we remember that 1973 was before the advent of digital recording techniques. This is probably Pink Floyd's best-known work, and it's an excellent place to start if you're new to the band. --Genevieve Williams ... Read more

Asin: B000002U82
Subjects:  1. Pop    2. Rock   

The ideal No Depression reader believes that Johnny Cash and Jeff Tweedy are both gods and for similar reasons: they respect tradition enough to rebel against it. The same can be said for the magazine that covers them with a similar restless energy. Started in the mid-'90s as a vehicle to cover alt-country upstarts, No Depression has since broadened its range to include all kinds of roots music, including folk, blues, bluegrass, indie rock, and even the occasional classic-rock icon (but only when former Led Zeppelin singer Robert Plant is singing Bob Dylan and Bukka White covers). It's fitting that the name of the magazine comes from a 1990 Uncle Tupelo album title, which in turn was borrowed from a Carter Family song lyric from the '30s, because No Depression is interested in music that draws on a rich rural history but is now played and enjoyed by urban hipsters as well as roots traditionalists. Although the writing and design tend to be as utilitarian as a pair of denim overalls, each issue is jammed full of reviews (of CDs, concerts, movies, and books), short profiles of regional musicians, and lengthy features devoted to major artists (recent subjects have included Guy Clark, Dolly Parton, Linda Thompson, and Rhett Miller). If you prefer your country music shrink-wrapped by Nashville, look elsewhere. However, if you think Austin, Texas, is the music world's mecca, No Depression is probably for you. --Keith Moerer ... Read more

Features

• Magazine Subscription

Asin: B00006KQC3
Subjects:  1. Literature Of Music    2. Entertainment    3. Music   

Founded in 1985 by Penthouse publisher Bob Guccione's son, Bob Jr., Spin magazine aimed to occupy a space forged and outgrown by Rolling Stone, which had since moved on from counter-culture reporting to a more pop-culture focus. Due to its well-funded birth, Spin rode the wave of the burgeoning alternative rock movementand was afforded the luxury of being as controversial as it wanted, forsaking at times somewhat slanted reporting in favor of the punch and jibe. Nonetheless, it brought into America's peripheral vision early stories of the ravages of AIDS in Africa, in addition to standard artist interviews and album reviews. Switching from a tabloid format to a glossy perfect-bound publication, the magazine now reports on fleeting music trends and the Next Big Thing more than it unearths alternative-rock gems, but it still does a good job of uncovering behind-the-scenes-stories, such as the violent acts and deplorably unhygienic conditions of 1999's Woodstock III music festival, in a way no other music magazine does. When the Beastie Boys released Hello Nasty in 1998, Spin published three different editions of the magazine--each with a separate headshot of one member of the renegade hip-hop group. Three years later, Rolling Stone copied the gimmick, featuring the members of boy band 'N Sync individually on five different covers. If Spin's influence in rock journalism was ever in question, this event provides irrefutable proof. --Beth Massa ... Read more

Features

• Magazine Subscription

Asin: B00005N7SU
Subjects:  1. Entertainment    2. Music    3. Literature Of Music   

Slicker and more uptown than competitors The Source and XXL, Vibe covers hip-hop culture in its many forms. The primary focus, of course, is music, but urban fashion also receives lavish treatment, and each issue contains a least a dash of movies, technology, sports, and politics. Celebrities tend to dominate its well-photographed and well-designed pages, but there's also room for more substantive fare (such as a touching report on "chickenheads"--rap-world groupies--who deserve better than they get from their often-abusive lovers). Covering a culture that is frequently misogynistic and homophobic, Vibe is both women- and gay-friendly, and surprisingly broad in its interpretation of who's cool enough for hip-hop: Elton John (for his Grammy duet with Eminem), maverick senator Jim Jeffords, and Seattle Mariners baseball star Ichiro Suzuki. --Keith Moerer ... Read more

Features

• Magazine Subscription

Asin: B00005N7TE
Subjects:  1. Entertainment    2. Music    3. Literature Of Music   

Founder and publisher Jann S. Wenner's brainchild remains the standard by which rock & roll magazines are measured, though even its most fervent boosters would concede there've been some growing pains for RS as it's strived to remain relevant through the decades. The erstwhile baby-boomer bible mixes fleshy covers of today's alluring celebs with coverage of graying rockers from the magazine's heyday. In addition to celebrity interviews, stalwart features such as CD reviews and Random Notes (the mag's long-running gossip section) provide familiar reading for older readers, as does the publication's superior political and cultural coverage. But the bulk of Rolling Stone's features are aimed at the younger pop-culture set. --Steven Stolder ... Read more

Features

• Magazine Subscription

Asin: B00005N7SJ
Subjects:  1. Entertainment    2. Music   

Inevitably, when critics praise a new Dylan album, they label it the "best since Blood on the Tracks," and with good reason. Inspired by a crumbled marriage, and recorded after a tour with The Band had apparently re-ignited his creativity, Blood is among Dylan's masterpieces. The album's epic songs are well known, but its real high points are the shorter numbers--"You're a Big Girl Now," the flawless blues "Meet Me in the Morning," and the sweetly devastating "Buckets of Rain." These are songs of "images and distorted facts," each expressed through tangled points of view, and all of them blue. --David Cantwell ... Read more

Features

• Hybrid SACD
• Original recording remastered

Asin: B0000C8AVM
Subjects:  1. Album Rock    2. Folk-Rock    3. Pop    4. Rock    5. Singer/Songwriter    6. United States of America