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Music for Ballet Class Average Customer Review: Audio CD (01 March, 1999) list price: $29.95 -- our price: $29.95 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Reviews (5)
Before meeting Dmitri and trying his CDs I was always disappointed with the music CDs I was able to find. They didn't inspire musicality or passion. Something was always wrong with one or many of the tracks - the tempo, length, selection etc. Dmitri's CDs are a pleasure - well thought out, easy to use and well received by my students. I find that my students no longer trudge along to the track, but are now far more expressive and engaged in their work. Roudnev constantly emphasizes musicality in class - one is not dancing if they are just doing the steps. His passion for this art form is easily "heard" in his CDs for ballet class. Each track is certainly long enough to perform any exercise in ballet class en croix and often long enough to perform the exercise twice. There are many music CDs for ballet, but very few are geared specifically for teaching ballet class. Even fewer have been so carefully conceived as Dmitri Roudnev's CDs have. Full recordings of ballet works are fine for teaching variations or preparing students for performing with a live symphony, but they are rarely a good choice for technique training. The Russian schools of ballet have produced some of the best dancers ever known, including Dmitri Roudnev. Dmitri follows this rich tradition and provides music for class with a repertoire that is complex, musical, inspired, and excellent for students at any level. Also, please be aware that these CDs are not just the quick collaboration of an instructor and an accompanist trying to make a few extra bucks. Instead each CD is created for the dancer with the interest of developing the best technique and highest level of musicality possible. Remember that Dmitri even uses these CDs in his classes when he teaches! He observes how the students work to the tracks, and asks for feedback. He recently asked for our feedback on the soon to be released Volume V. In closing, Dmitri loves ballet, and should you get to meet him, you will love Dmitri. While a CD is never a substitute for a person, his CDs are the next best thing. Dmitri's heart and soul are in these CDs, and so too will Dmitri's heart and soul become a part of your students.
Asin: B00004TWWR |
$29.95 |
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From the Choirgirl Hotel Average Customer Review: Audio CD (05 May, 1998) list price: $11.98 -- our price: $10.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review For Tori Amos, sex can be a weapon, a spiritual offering, or an act ofprotest;it's certainly been the singer-pianist's big subject since her 1989debut, Little Earthquakes. Butwhereher earliest compositions tried to punch every emotional hot button at once and came offmerely overblown,From The Choirgirl Hotel packs a greater punch by toning down the mock-symphonic excess in favor of stark, haunting tracks that contain their own veiled mysteries. Love cuts both ways on Choirgirl. Songs such as "She's Your Cocaine" and "cruel"view relationships as vicious, sexually-charged power plays, while the protagonists in "playboy mommy"and "Northern Lad" are desperately seeking salvation in the form of some emotional connection. Hypnotic, affecting, and frequently gorgeous, From The Choirgirl Hotelis Amos' most accomplished album to date. --Marc Weingarten ... Read more Reviews (357)
Asin: B0000062S6 |
$10.99 |
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Between the Barres 20th Anniversary Edition Average Customer Review: Audio CD (05 November, 2001) list price: $24.99 -- our price: $24.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Reviews (4)
Steven Woodruff Asin: B00005TOTO |
$24.99 |
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Beautiful Class Music from Ballet Intensive from Moscow Audio CD (04 January, 1996) list price: $29.95 -- our price: $29.95 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Asin: B00005OA2N |
$29.95 |
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To Venus and Back Average Customer Review: Audio CD (21 September, 1999) list price: $19.98 -- our price: $14.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review For many pop-music cynics, excess can be neatly summed up in three things: live albums, double-CD's, and Tori Amos records. Damned ifTo Venus and Back doesn't hit the trifecta. But perhaps Amos is just trying to prove what we've always suspected: that her muse possesses a sly, ironic wit and has been frantically trying to give us a wink while Tori whipped up her heady cocktail of quiet Sturm, desperate Drang, and angst in the panties. There's teasing moments on this double-dose of Tori's love affair with her own melodic and mystical dramaturgy to support that notion, even in the disc of powerful new studio recordings that inaugurates this set. Dubbing a song "Glory of the 80's" is burlesque enough, but yearning to have oneself cloned as Kim Carnes at its climax is simply inspired. Amos is to Kate Bush's distaff mysticism what Mark McGwire was to Roger Maris; she hasn't so much broken the mold as willfully hammered it into her own image. After Bush hit the snooze-bar on her career in the late `80s, Amos boldly stepped into the fray, building a body of work that demanded to be taken seriously, even while the thrift-store chic set were laughing up their tattered sleeves at her ambitious chutzpah. They're not laughing now; in fact, many may find Venus to be a deliciously guilty pleasure. Amos supporters have long maintained that the key to understanding her intrigue lies in her live performances. Disc two boldly states their case as Amos coos, whoops, and warbles through a hit-sprinkled set, her shrewd, sorely undervalued band hanging with every nuance and turn of phrase. Cynics are from Mars; Tori is from Venus--that's just the way her galaxy crumbles. Jerry McCulley ... Read more Features Reviews (414)
Asin: B00001IVJS |
$14.99 |
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In Sync-Music for Ballet Class Average Customer Review: Audio CD (01 September, 1996) list price: $29.99 -- our price: $29.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Reviews (1)
Asin: B00005QIPZ |
$29.99 |
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Life for Rent Average Customer Review: Audio CD (30 September, 2003) list price: $18.98 -- our price: $13.49 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review Despite its somewhat polite, trip-hoppy surface, Dido Armstrongs music frequently rests on a melancholy that can only be called courageous in the current pop world. Few singer-songwriters with 12 million record sales behind them would offer a single such as Life for Rents "White Flag," which is in part an apology for the "mess and destruction" the narrator has left with her lover. Emotions are even stickier on other tracks, with Didos Dusty-ish voice coolly sweeping through "Dont Leave Home," one of the creepiest codependent-love songs since "Every Breath You Take," and in "Who Makes You Feel," ticking off a list of reasons why an affair is dying, while also admitting that she still loves the guy. Its a hard-won romanticism, too, that pokes its head up in the tough-minded "This Land is Mine" and "Do You Have a Little Time" ("Id like to hold you still/Remind you of all youve missed"). A knotty and rewarding album. --Rickey Wright ... Read more Features Reviews (415)
Asin: B000089RVR |
$13.49 |
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No Angel Average Customer Review: Audio CD (01 June, 1999) list price: $18.98 -- our price: $13.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review Dido's debut is molded from Sarah McLachlan's intimate soul, Sinéad O'Connor's Celtic yelp, and Beth Orton's morose resolve--with all the sharp edges rounded out. Sculpted by producers Rollo (her brother) and techno-scientist Youth, No Angel is dream-pop mixed with Portishead-esque trip-hop; the results are midtempo ballads that would feel at home in Seal's neighborhood. The melancholy opener, "Here with Me," incorporates acoustic rhythm guitar, fluid strings, and a snare-driven tempo that simulates the slapping of rain off a windshield. "My Lover's Gone" is ethereal and misty, sounding at once ancient and modern with its synthesized ocean sounds and seagull cries. The only clunker is "Don't Think of Me," a passive, soft-bellied cousin to Alanis Morissette's "You Oughta Know." These songs play out beautifully in that quiet zone between slumber and consciousness--where you can see everything behind closed eyes. --Beth Massa ... Read more Reviews (742)
Asin: B00000IAU3 |
$13.99 |
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The 7 Habits of Highly Effective People by Average Customer Review: Paperback (15 September, 1990) list price: $15.00 US | Canada | United Kingdom | Germany | France Editorial Review The 7 Habits of Highly Effective People: Powerful Lessons in Personal Change was a groundbreaker when it was first published in 1990, and it continues to be a business bestseller with more than 10 million copies sold. Stephen Covey, an internationally respected leadership authority, realizes that true success encompasses a balance of personal and professional effectiveness, so this book is a manual for performing better in both arenas. His anecdotes are as frequently from family situations as from business challenges. Before you can adopt the seven habits, you'll need to accomplish what Covey calls a "paradigm shift"--a change in perception and interpretation of how the world works. Covey takes you through this change, which affects how you perceive and act regarding productivity, time management, positive thinking, developing your "proactive muscles" (acting with initiative rather than reacting), and much more. This isn't a quick-tips-start-tomorrow kind of book. The concepts are sometimes intricate, and you'll want to study this book, not skim it. When you finish, you'll probably have Post-it notes or hand-written annotations in every chapter, and you'll feel like you've taken a powerful seminar by Covey. --Joan Price ... Read more Reviews (582)
Isbn: 0671708635 |
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Pointe Average Customer Review: Magazine list price: $29.70 -- our price: $12.95 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Features Reviews (5)
Asin: B00005NIRR |
$12.95 |
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Just Black Labs 2004 Calendar Calendar (01 June, 2003) list price: $11.99 -- our price: $11.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Isbn: 1572236027 |
$11.99 |
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The Video Dictionary of Classical Ballet Average Customer Review: DVD (11 November, 2003) list price: $49.95 -- our price: $44.96 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Features Reviews (5)
Asin: B0000DI86M |
$44.96 |
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Diet for Dancers: A Complete Guide to Nutrition and Weight Control by Average Customer Review: Paperback (01 May, 1995) list price: $19.95 -- our price: $19.95 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Reviews (9)
Chmelar and Fitt are not telling dancers they have to be thin; rather they are reporting the realities that face most dancers who pursue careers in theatrical performing dance and encourage dancers who do not fit the body composition standards for being a professional ballet dancer to seek a style of dance that suits their bodies.Chmelar and Fitt are the only authors I know of who have assembled actual research on the body compositions of15 female professional and university, ballet and modern dancers and compared them to those of five kinds of female athletes.These results show that such dancers need to fit into a pretty narrow range of percent body fat and weight relative to height.For example, university female ballet dancers have a percent body fat range of 9.6% to 20.5% , an average weight of 117.7 +/- 10.4 pounds, and an average height of 65.3 +/-2.0 inches. Similar values are given for female university modern dancers as well as professional ballet and modern dancers.These values are substantially below what is considered an average healthy weight for nondance women.Yet the values for these same categories of male dancers are very similar to those of healthy nondance men.So it is the research that shows that female dancers have to maintain a lower than healthy average body weight; Chmelar and Fitt are simply reporting the facts.Mr. McCarthy seems to be shooting the messenger. Yet C&F do more than simply report the facts; they also give their opinions on how to promote healthy weight expectations for female dancers.In the section "Professional Realities and Ethical Considerations" p43 C&F write, "In no way can this or any other book dictate what a school or company's weight standards should be...We can offer guidelines based on our current knowledge, but any dancer who reaches professional status is bound to be met by strict standards.... Directors, faculty, and students in university programs should ask themselves a number of questions (some of which mighght also be considered by professional companies) such as:Should we have weight standards?If so, how strict should they be for performing-emphasis students?Should we have weight standards for students going into nonperformance dance fields? What kind of policy should we have for students who don't meet weight standards?Are we familiar with appropriate referral sources for students with eating disorders?How do we strike a health balance between ensuring our dancers are healthy yet meet the aesthetic standards of dance?And what are those aesthetic standards? Also, in the section "Genetic Influences on Body Composition" C&F advise dancers who don't fit the ballerina mold. On p44 they write: "Research conducted by former New York City Ballet dancer Linda Hamilton....underscores the pivotal role genetics plays in determining a person's body composition.For those dancers seeking a career with a professional ballet company, this issue should be carefully considered.Dancers who do not naturally tend towards such thinness can certainly use appropriate diet and exercise measures to help get them to their desired body weight; however, sooner or later they may have to choose between battling their inherited body traits and modifying their dance goals.For those dancers not born with sylph-producing DNA, energy can be refocused toward dance careers that do not require an ultra-thin body, and also toward maintaining a healthy, fit body composition rather than trying to force an unhealthy skinny one. [Emphasis added.]." Mr. McCarthy recommends that dancers "buy a book about healthy nutrition instead."I know no other book that explains the way diet and exercise interacts as it applies to dancers, lists the functions of all vitamins and minerals, and notes those nutrients in which research has shown dancers to be deficient.If dancers want a book that is both about healthy nutrition and also applies to their specific dietary needs, this is it.I'm only sorry that the dancers at the London Contemporary School of Dance will not have access to this book in their school library. ... Read more Isbn: 0916622894 |
$19.95 |
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Perfect Class 3-CD Set: Music for Ballet Class from Julia Bourlina & Anna Korab Average Customer Review: Audio CD (01 March, 2003) list price: $59.99 -- our price: $59.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Reviews (1)
Asin: B00008LUM5 |
$59.99 |
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Léon Minkus: Don Quijote Average Customer Review: Audio CD (12 December, 1995) list price: $29.98 -- our price: $29.98 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Reviews (5)
Among these composers, the most famous is Leon Minkus. He was, before Tchaikovsky came along, the resident composer of ballet music for the Russian Czar's Imperial Ballet in St. Petersburg. With the great choreographer Marius Petipa (who would later create "La Bayadere", "The Sleeping Beauty", "Nutcracker", "Swan Lake" among others) they created a ballet very loosley based on the Cerevantes novel "Don Quixote". The ballet premiered in Moscow, Russia in 1869 for the Bolshoi Ballet. It was taken to St Petersburg in 1872 for a more lavish and formal staging and has been performed there ever since. The work was much revised and reworked throughout Petipa's lifetime and well afterward. Among these was the staging by the great dancer Alexander Gorsky in 1900. "Don Quixote" (or "Don Quijote" as its spelled on the packaging) has been tinkered with a great deal throughout the 20th century. It is these versions that have been passed down to us. The music, true to 19th century tradition, was added to and revised by several composers, mostly at the behest of the ballerinas that danced its leads, and the fact that revisions of the work went on well after Minkus's death. Most of the additional music is recorded here (at least the important additions), and Spassov does a first rate job in his conducting. The music is played exactly as it would sound if you were in the theatre and had dancers right in front of you. I was so excited when I saw this item a few years back for sale and quickly snatched it up. There is another recording done by the Victoria Orchestra of the Austrailian Ballet, with the Minkus score revised and refurbished by John Lanchbery, a version used for Nureyevs sumptuous staging (its only available on the orchestra Victoria site for purchase). Spassov's conducting is one of the best performances of ballet music ever put on disc. It should be owned by all dancers and balletomanes alike. Five Stars!
Asin: B000001WS6 |
$29.98 |
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The Joffrey Ballet School's Ballet-Fit by Average Customer Review: Paperback (15 February, 1999) list price: $21.95 -- our price: $15.37 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review Ballet-Fit is for the adult beginner ballet student, "whether 17 or 70." The authors admit the atmosphere in most ballet studios can be a bit intimidating, but say it needn't be. We concede that if you hang around your local ballet school or dance studio, at first glance, it probably will seem to be filled with long-legged, lean-limbed adolescents, with tight little hair buns, stern little faces, and rumpled leg warmers around their ankles. But ... chances are the 23-year-old stretching on the floor isn't a budding ballerina but a law student who finds beginning ballet a relaxing break from her books. As for the thirty-something woman at the barre, very likely she's a new mother who's thrilled with the stronger, firmer, more flexible body she has developed since she began classes.A combination of confidence-boosting ballet instruction and fitness facts, with plenty of photographs (although all in black and white), Ballet-Fit offers a multitude of tips for beginners. You'll learn what to wear to class, the best way to break in a new pair of pointe shoes, and how to prevent injuries. And you'll even learn the proper pronunciation of the French dance terms, from arabesque to temps de flèche. For folks who don't live near a ballet studio or dancewear store, there's a helpful directory of magazines, catalogs, videos, audiotapes, and Web sites. Ballerinas, as dancer Allegra Kent put it, "have the strongest, most beautiful, and very probably the most envied bodies in the world." With Ballet-Fit and some dedication, you can work your way toward becoming a toned, flexible balletomane, too. --Erica Jorgensen ... Read more Reviews (17)
This is a very handy book if you're considering taking up adult classes, or if you are taking adult classes. But if you want a ballet-fit book, this ones not for you (though you might think so from the title) ... Read more Isbn: 0312194706 |
$15.37 |
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New York City Ballet Workout : Fifty Stretches And Exercises Anyone Can Do For A Strong, Graceful, And Sculpted Body by Average Customer Review: Paperback (13 January, 1997) list price: $24.00 -- our price: $16.32 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review Dancers get their beautiful bodies by dancing, right? Well, there's more to it than that. They also do specific exercises and stretches to build their strength and keep their magnificent physiques injury-free. This book offers 50 of those exercises, ranging from routine abdominal movements to "center exercises" (which develop coordination and stability) to advanced leg movements (which, of course, give you legs like a dancer). The book even offers suggestions for music to play while you follow the training tips. ... Read more Reviews (64)
Isbn: 0688152023 |
$16.32 |
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The New York City Ballet Workout, Vol. 2 Average Customer Review: DVD (27 May, 2003) list price: $24.99 -- our price: $19.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review Peter Martins, Ballet Master in Chief of the New York City Ballet, and four graceful dancers--two men, two women--offer a beautifully produced, challenging, 90-minute strength and flexibility workout. The moving warm-up readies your muscles and makes you feel like a dancer. Most of the workout focuses on the abdominals and lower body (thighs, calves, buttocks), with exercises that ballet dancers use to strengthen and lengthen their muscles and condition their core. At the end, you learn patterns for a ballet routine which becomes a short cardiovascular workout. New York City Ballet Workout, Vol. 2 builds on what was best about the popular New York City Ballet Workout--the graceful moves and gorgeous dancers--and includes the much-needed instruction and technique that was missing in the original. If you love watching or dancing ballet, New York City Ballet Workout, Vol. 2 is your workout. Highly recommended. --Joan Price ... Read more Features Reviews (22)
Asin: B00008L3WX |
$19.99 |
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